Jabra ibrahim jabra biography books

Palestinian writer and translator (–)

Jabra Ibrahim Jabra
Born	Jabra Ibrahim Gawriye Masoud Yahrin ()28 August Adana
Died	12 December () (aged&#;75) Baghdad, Iraq
Resting place	Baghdad
Nationality	Palestinian, Iraqi
Education	Government Arab College, University of Cambridge, Harvard University
Alma&#;mater	Fitzwilliam House, Cambridge
Known&#;for	Fiction, poetry, criticism, painting
Notable work	In Search of Walid Masoud, The First Well, Princesses' Street, Cry in a Long Night, Hunters in a Narrow Street, The Ship
Style	Modernist realism, absurdism, Arab existentialism, stream of consciousness
Movement	Shi'r, Hiwar, One Dimension Group, The Baghdad Modern Art Group; Hurufiyya movement
Spouse	Lami'a Barqi al-'Askari
Partner(s)	Yusuf al-Khal, Suhayl Idriss, Badr Shakir al-Sayyab, Albert Adib, Tawfiq Sayigh
Awards	– Sultan Bin Ali Al Owais Cultural Award

Jabra Ibrahim Jabra (28 August ^[1] – 12 December ^[2]) (Arabic: جبرا ابراهيم جبرا) was an Iraqi-Palestinian author, artist and intellectual born in Adana in French-occupied Cilicia to a Syriac Orthodox Christian family.^[3] His family survived the Seyfo Genocide and fled to the British Mandate of Palestine in the early s.^[1] Jabra was educated at government schools under the British-mandatory educational system in Bethlehem and Jerusalem, such as the Government Arab College, and won a scholarship from the British Council to study at the University of Cambridge.

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Following the events of , Jabra fled Jerusalem and settled in Baghdad, where he found work teaching at the University of Baghdad. In he was awarded a Rockefeller Foundation Humanities fellowship to study English literature at Harvard University. Over the course of his literary career, Jabra wrote novels, short stories, poetry, criticism, and a screenplay.

He was a prolific translator of modern English and French literature into Arabic. Jabra was also an enthusiastic painter, and he pioneered the Hurufiyya movement, which sought to integrate traditional Islamic art within contemporary art through the decorative use of Arabic script.

Life and career

Jabra Ibrahim Jabra was born in in Adana, which was then part of the French Mandate of Cilicia, to Ibrahim Yahrin and his wife Maryam.

His mother's first husband Dawood and twin brother Yusuf had been killed in the Adana massacre. After Maryam remarried, her husband Ibrahim was drafted into the Ottoman Army during World War I. The couple gave birth to their first son, Yusuf Ibrahim Jabra, in The family survived the Assyrian genocide, fled Adana, and emigrated to Bethlehem in the early s.^[1]

In Bethlehem, Jabra attended the National School.^[4] After his family moved to Jerusalem in , he enrolled at the Rashidiya School and graduated in from the Government Arab College.

Jabra won a scholarship to study English at the University College of the South West in Exeter for the academic year –, and stayed on in England to continue his studies at the University of Cambridge, because of the dangers of returning to Palestine by boat during World War II. At Cambridge, Jabra read English and earned a BA in from Fitzwilliam College, Cambridge, where his censor was William Sutherland Thatcher.^[5][6][7]

In , Jabra returned to Jerusalem, where he began teaching English at the Rashidiyya College as a stipulation of his British Council scholarship.^[8] He also wrote a number of articles for local Arabic-language newspapers in Jerusalem.^[9]

In January , Jabra and his family fled their home in Katamon in western Jerusalem shortly after the Semiramis Hotel bombing and moved to Baghdad.

Jabra traveled to Amman, Beirut, and Damascus in search of work. In Damascus Jabra went to the Iraqi embassy, where the cultural attaché, 'Abd al-'Aziz al-Douri, who would later become an eminent Iraqi historian, gave him a visa to teach at the Teachers' Training College for one year.^[10] Jabra received an MA from Fitzwilliam College, Cambridge in The MA did not require any coursework or residence in England as per the "Cambridge MA" system, whereby holders of a BA may obtain an MA after five years and the payment of a fee.

In Jabra converted to Sunni Islam to marry Lami'a Barqi al-'Askari.^[11] The same year, he received a fellowship from the Rockefeller Foundation, arranged personally by John Marshall, to study English literature and literary criticism at Harvard University.^[12] While at Harvard between the fall of and January , Jabra studied under Archibald MacLeish.^[13] In Cambridge, Massachusetts, Jabra translated his first novel, Cry in a Long Night, from English into Arabic and began writing his second novel, Hunters in a Narrow Street ().^[14]

Following his return to Baghdad, Jabra worked in public relations for the Iraq Petroleum Company and then for the Iraqi Ministry of Culture and Information.

In Baghdad, he taught at various colleges and became a professor of English at the University of Baghdad.^[5]

Jabra became an Iraqi citizen. He was one of the first Palestinians to write about his experiences of being in exile.^[15] Jabra's home on Princesses' Street in the Mansour District of Baghdad was a meeting place for Iraqi intellectuals.^[7]

Much of his writing was concerned with modernism and Arab society.

This interest led him to become, in the s, a founding member of the Modern Baghdad Art Group, an artists' collective and intellectual movement that attempted to combine Iraq's profound artistic heritage with the methods of modernist abstract art. Although the Baghdad Modern Art Group was ostensibly an art movement, its members included poets, historians, architects and administrators.

Jabra was deeply committed to the group's founder, Jawad Saleem and Saleem's ideals, and drew inspiration from Arab folklore, Arab literature and Islam.^[16]

Jabra's involvement in the artistic community continued with his becoming a founding member of the One Dimension Group, established by the prominent Baghdadi artist, Shakir Hassan Al Said in The group's manifesto gave voice to the group's commitment to both heritage and modernity and sought to distance itself from modern Arab artists, which the group perceived as following European artistic traditions.^[17] The One Dimension group was part of a broader movement among Arabic artists who rejected Western art forms and sought a new aesthetic, one that expressed their individual nationalism as well as their pan-Arab identity.

This movement subsequently became known as the Hurufiyya movement.^{[18][19][20][21]}

Following his death in , a relative, Raqiya Ibrahim, moved into his Baghdad home.

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However, the house was destroyed when a car bomb targeting the Egyptian embassy next door detonated on Easter Sunday in , destroying much of the street and killing dozens of civilians. Thousands of Jabra's letters and personal effects were destroyed in this incident along with a number of his paintings.^[7]

Work

As a poet, novelist, painter, translator and literary critic, Jabra was a versatile man of letters.

He also translated many works of English literature into Arabic, including Shakespeare's major tragedies, William Faulkner's The Sound and the Fury, chapters 29–33 of Sir James Frazer's The Golden Bough and some of the work of T. S. Eliot. Jabra's own work has been translated into more than twelve languages, including English, French and Hebrew.

His paintings are now difficult to locate, but a few notable works can be found in private collections.^[15]

Jabra was among the contributors of the poetry magazine Shi'r based in Beirut.^[22]

Bibliography

Novels

• Cry in a Long Night (Surakh fi layl tawil, )
• Hunters in a Narrow Street (written in English; )
• The Ship (al-Safinah, )
• In Search of Walid Masoud: A Novel (al-Bahth 'an Walid Mas'ud, )
• World Without Maps ('Alam bi-la khara'it, ; written with Saudi novelist Abdul Rahman Munif)
• The Other Rooms (al-Ghuraf al-ukhra, )
• The Journals of Sarab Affan (Yawmiyyat Sarab 'Affan, )^{[citation needed]}

Short story collections

• Arak and Other Stories ('Araq wa-qisas ukhra, )^{[citation needed]}

Poetry collections

• Tammuz in the City (Tammuz fi al-madinah, )
• Anguish of the Sun (Law'at al-shams, )
• Closed Circle (al-Madar al-mughlaq, )^{[citation needed]}

Autobiographies

• The First Well: A Bethlehem Boyhood (al-Bi'r al-ula: fusul min sirah dhatiyyah, )
• Princesses' Street: Baghdad Memories (Shari' al-amirat: fusul min sirah dhatiyyah, )^{[citation needed]}

Screenplays

• The Sun-King (al-Malik al-shams, )
• Days of the Eagle (Ayyam al-'uqab, )

Critical Studies

• Freedom and the Flood (al-Hurriyyah wa-l-tufan, )
• The Eighth Journey (al-Rihlah al-thaminah, )
• Contemporary Iraqi Art (al-Fann al-'iraqi al-mu'asir, )
• Jawad Salim and the Freedom Monument (Jawad Salim wa-nusb al-hurriyyah, )
• Fire and Essence (al-Nar wa-l-jawhar, )
• Sources of Vision (Yanabi' al-ru'ya, )
• The Grass Roots of Iraqi Art (Judhur al-fann al-'iraqi, )
• Art, Dream, Action (al-Fann wa-l-hulm wa-l-fi'l, )
• A Celebration of Life (Ihtifal-un li-l-hayah, )
• Meditations on a Marble Monument (Ta'ammulat fi bunyan marmari, )^{[citation needed]}

Translations (English and French into Arabic)

Translations of Shakespeare

Paintings

• The Window (al-Nafidhah, )
• Woman and Child (Imra'ah wa-tiflu-ha, early s)
• The Brass-Seller (al-Safdar, )^{[citation needed]}

See also

References

Works cited

• Jabrā, Jabrā Ibrāhīm ().

  Princesses' Street: Baghdad Memories. University of Arkansas Press. ISBN&#;.

Further reading

External links